Tracking, mixing, mastering
Albums, singles, film, and television post. Pro Tools, REAPER, and Logic, with surround and immersive work when a project asks for it.
Nine Grammys · Bastrop, Texas · Since 1971
Twenty years of Asleep At The Wheel records taught me exactly where the software gets in the way. So I write my own — drum instruments you play instead of program, loopers that behave on a stage, visuals that move with the take.
The records tell me what the software is missing. The software makes the next record faster. The show is where both get tested in public.
Albums, singles, film, and television post. Pro Tools, REAPER, and Logic, with surround and immersive work when a project asks for it.
C++ and JUCE for the plugins, Lua and JSFX inside REAPER. Built in the room where they get used, then shipped once they survive a real session.
Multi-camera switching, low-latency monitoring, and the automation that lets one person run a clean show without a crew.
Four drummers you play instead of program. Organic tempo, human placement, arrangement that follows the song instead of the grid.
Idea Development Arranger. Looping treated as what it actually is — capturing a musical idea and repeating it until it becomes the arrangement.
Scene-based looping built for a stage. Every scene lands on the beat you asked for, with no rescue click in front of an audience.
Just The Facts. News aggregation that strips the framing off a story and leaves you the reporting underneath.
Live MIDI and audio turned into particles and notes on screen, in time, with no render step in between.
Audio engineering, software, and the occasional guitar. The stream goes out to YouTube, Facebook, and Rumble at once — watch wherever you already are. Long-form conversations land on the podcast feed a few days later.
"No compromise. Every project gets the same attention to detail—whether it's a Grammy-winning album or a weekend experiment."
Recorded, edited, and programmed by hand — the same library composers have leaned on since the GigaStudio days. SFZ format, so any free player will load them. Use them on your own releases, commercial included.